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FOURINONE
Stelen
Random Acoustics
RA 026
Named
as if it was a Thelonious Monk tribute band, FOURinONE is actually a European
collective dedicated to instant composition. Made up of three virtuoso
Germans and a dedicated Dutchman, all of this more than 65 minute CD shows
how well the products of four top-flight improvisers can blend together
into a coherent whole.
While
each performer is a virtuoso able to push his instrument to its perceived
limits -- and beyond -- the organization and timing of the combo is such
that when needed they can all stop on a dime, or maybe that should be
a mark or a guilder. Throughout, the band is able to demonstrate its talents
and telepathy, whether it be on "Enchantment," the nearly 28
minute first tune or the less than three minute title track.
One
of the best-known Teutonic trombone trailblazers, along with his older
brother Konrad, Johannes Bauer often switches from mutes to blaring open
horn within a single solo. Using lip trills and concentrating on the lower
part of the 'bone's range on "Enchantment," he builds up ascending
stairsteps of sound until, double and triple tonguing, he turns to multiphonic
blats and definite slide movements. Soon he's vocalizing, then whinnying
like a horse through his instrument. The performance is so overpowering
that it's often a while before you notice that Martin Blume has been accompanying
the solo with subtle drum patterns.
This
methodology is used later on as well, allowing the four to split into
two duos -- trombone and drums and saxophone and bass -- then join up
again like the dancers in a Busby Berkeley choreographed movie showcase.
On "Herenboekje, berenhoekje, boerenhekje" the converse comes
into play, as the four collectively improvise like stallions linked in
a stagecoach team.
Split
second interaction shouldn't be a surprise, since the four have been playing
as a unit since 1997 and worked singly or in twos or three in other bands.
Coming together like a continental Paul Chambers and Jimmy Cobb, drummer
Martin Blume and bassist Dieter Manderscheid have also been the rhythm
section for band headed by reedman Frank Gratkowski and vocalist Phil
Minton. In fact, there are times when the two construct a perfect freebop
pattern in the background without detracting from the soloists.
Leaving
the interactive music software he has developed since the mid-1980s home
in the Netherlands, saxophonist Luc Houtkamp dedicates himself to his
reed instrument here. He's an advocate of extended techniques, moving
the likes of slap tonguing and shakes from their vaudeville roots into
free improv. Often, as on the atmospheric "Pause - oder was,"
his solos consist of infinitesimal bird-like chirps. Other times he'll
increase intensity by continuously pushing more and more notes into a
strongman-like display of circular breathing.
Although
the notes say Stelen was recorded in Cologne's Loft there's no applause
at the end of each track, probably due to time considerations. There should
be, since this disc is a fine achievement.
--
Ken Waxman
Track
Listing: 1. Enchantment; 2. Stelen; 3. Vielleicht ist nichts völlig
wahr, und selbst das nicht; 4. Herenboekje, berenhoekje, boerenhekje,
...; 5. Pause - oder was?
Personnel: Johannes Bauer, trombone; Luc Houtkamp, alto and tenor saxophones;
Dieter Manderscheid, bass; Martin Blume, drums
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