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JOE
MORRIS
Singularity
AUM Fidelity
AUM 018
So you're a virtuoso guitarist who has recorded and performed under the
most challenging of circumstances. You have an acclaimed solo record on
electric guitar, mandolin and banjouke. You are heralded for your technical
proficiency with your instrument. You have made the daunting prospect
of improvising with Mat and Joe Maneri seem like a day in the park. The
next logical step is to record a solo session exclusively with acoustic
guitar, a prospect which many believe is a guitarist's only true measure
of competence.
On Singularity, and for the first time in his eighteen-year recording
career, Joe Morris strips down with steel string acoustic guitar to show
us what he's really made of. It is a welcome chapter in modern composition,
both written and improvised. Those who have wondered just how far Morris's
skills reach should acquire this new release posthaste. Morris challenges
himself and he challenges his listeners, as is evident in the sheer weight
of the new record. Frankly, there is much to ingest over a comparatively
meager forty-five minutes of music. However, the playing here, while not
immediately accessible, is completely original and begs for consideration.
The fact is, nobody plays like Joe Morris, and this record provides an
excellent opportunity for newcomers to dive headfirst into his craft.
On Singularity, he characteristically infuses atonal properties into his
compositions as the mercurial planes of delivery. A frequent tactic is
the establishment of single scalar patterns, followed by a whirl into
improvisational tangents, harboring one, maybe two notes of the previous
scale as breadcrumbs for the new soil. While Morris is renowned for his
hyper-dexterous single-note soloing, this occasion sees the guitarist
using a variety of chords, some used for rhythm, others for emphasis and
color. Scrutiny is beneficial; exotic patterns resurface throughout, allowing
us, the observers, to nod our heads as if at the sudden comprehension
of a foreign gesture. Morris' understanding of his own language is notable
in itself; it is remarkable how he can first take a carbon copy of classical
melody, shred it, and then refuse the fragments into his own cleverly
patterned, sonic mosaic. The obvious aspect that sets Singularity apart
from Morris' previous ventures is the use of acoustic guitar. All of the
aforementioned qualities in his playing are revealed to us in unequivocal
clarity. We can hear skin chafing in slides against the twined grain of
steel strings. Audible rests between phrases are carefully considered
in the way that a tactically placed breath will either build or destroy
a runner's endurance. Morris mocks the smooth tonality that often comes
so easily with electric guitar; his fingering is solid and precise on
the more difficult acoustic strings. Beyond anything else are the recurring,
rejuvenated and resequenced fingering patterns; these are sounds that
will appeal to the mind for further reflection, even after the goosebumps
fade.
To
aid in our inspection, the tracks (earthly titled) are concise; the music
is heartfelt. Sealing the occasion, Singularity was beautifully captured
by the jocks at the AUM Fidelity label. Solo guitar enthusiasts and audiophiles
alike should rejoice at this charming release.
Alan Jones
Track
Listing: Light; Gravity; Creature; Shape; Atmosphere; Sense; Liquid; Dimension;
Flight; Rock
Personnel:
Joe Morris, steel string acoustic guitar
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